Lully Lulla | The Song Company

Six songsters – three male, three female – consort in concert to present Christmas carolling as a medieval nativity narrative in The Song Company’s swansong for this year, Lully Lulla. Stock Yule tunes like Silent Night and Away in a Manger are passed over for Christmas canticle ranging from anonymous 15th century compositions to contemporary pieces from local composers including Calvin Bowman, Brian Kogler and David Hood. According to the programme notes, Lully Lulla comes from the refrain of a Coventry Carol, transcribed, arranged or possibly composed by Thomas Mordycke in 1591 as part of a mediaeval mystery play in which the chilling tale of Herod’s jealous rage is set against the bitters


Joe Geia’s wonderfully evocative exploration of Indigenous identity Yil Lull, sandwiched between Byrd’s 16th-century Lullaby and local composer Brian Kogler’s Pie Jesu, encapsulated the wide-ranging emotional scope of The Song Company’s Lully Lulla. A thoughtful programme that explored themes of dispossession, grief and violence, Lully Lulla never felt just edifying, with the six singers – three women and three men – along with conductor Antony Pitts providing just enough lightness of touch to make it go down a treat. Instead of a straight recital, here they presented English and Australian carols both old and new, stitched together in a kind of medieval nativity narrative through spoken dia